Music
Discography
Dean FM’s body of work spans performance art, hip-hop, queer storytelling, Music and socially conscious commentary. Each project builds on his signature blend of activism, theatrics, and cultural insight. Together, these releases form a vivid timeline of a Black queer artist reshaping what contemporary rap and pop culture can sound like.
Watch It (2016) – The debut EP that introduced his tongue-in-cheek fire and artistic unpredictability.
“Watch It” marks the beginning of Dean FM’s sonic world—bold, mischievous, and unwilling to play into stereotypes. This early project layers hip-hop, satire, and performance art, giving listeners the first glimpse of Dean's genre-gender-bending approach.
It became a local gem among queer and indie music communities, known for its pointed commentary on identity, presentation, and the politics of being watched.
This era set the tone for Dean’s evolution as a non-binary, Black queer creator unafraid to challenge expectations.
SISSY (2020) – A bold, genre-pushing EP exploring gender, exploitation, and queer visibility.
“SISSY” is one of Dean FM’s most defining works—bold, confrontational, and rooted in the lived experiences of queer Black life. The EP blends sharp lyricism with emotional depth as Dean challenges the gaze society places on queer bodies, gender expression, and femininity.
It became a cultural touchpoint for listeners seeking representation that feels raw, powerful, and unfiltered.
This project amplified her voice as a leading queer hip-hop and performance art figure.
Tituba (2020) – A haunting, bold single that reclaims the “witch” legend while amplifying Black femininity and demanding her voice be heard.
“Tituba” channels the story of the woman long misrepresented in colonial history and reimagines her through a lens of empowerment. The track blends spirituality, theatricality, and righteous fury, allowing Dean FM to stand in solidarity with Black women whose stories were silenced.
This song inspires cultural moment—bridging historical truth, modern activism, and queer Black artistry.
Corona Lisa (2020) – An incisive single that leverages pandemic imagery to critique shifting social climates—highlighting public anxiety, isolation, and the often surreal collective response.
With “Corona Lisa,” Dean strips away the gloss of pop culture to reveal the anxiety and surrealism that shaped 2020. The single draws from performance art, satire, and emotional honesty to capture how communities—especially marginalized ones—navigated grief, uncertainty, and resilience.
The track remains one of his most visually iconic releases, showcasing his ability to merge cultural commentary with evocative storytelling.
Bottom Bit (2021) – A biting single that confronts the commodification of queer bodies with lyrical elegance.
“Bottom Bit” uses metaphor, humor, and lyrical sharpness to confront how queer identity is often consumed, fetishized, or misrepresented. The single quickly resonated across queer and feminist spaces for its clarity, edge, and unapologetic stance.
It’s a testament to Dean FM’s power as a writer—turning social critique into art that feels both intimate and universal.
Move FM(2023) – A five-track hip-hop/rap EP showcasing bold artistic flair.
“Move FM” marks a shift in Dean’s sound. More rhythmic, more punchy, and more polished, this EP shows an artist stepping into her full voice. The project plays with tempo, texture, and emotional duality—balancing vibe with vulnerability.
Listeners see a new side of Dean: the mover, the shapeshifter, the artist entering a new stage of mastery.
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Eclectic (2024) – A full-length sonic celebration of identity, featuring tracks like “Thank You Boo,” “Kick Rocks,” and “Whip That (feat. Off Ki Productions).”
“Eclectic” expands Dean FM’s world into a fully realized album—bursting with experimentation, vocal layers, and tightly crafted narratives. Tracks like “Thank You Boo,” “Kick Rocks,” and “Whip That (feat. Off Ki Productions)”highlight her range: witty storytelling, emotional depth, and fearless cultural critique.
This album stands as a vibrant declaration of who Dean FM is—and who she refuses to shrink for.
